Two To Tango

Bill Carlson

It takes a trio of titles to describe Bill Carlson and his creative vision: “Artist, inventor and masochist” From the start of his career, Bill sought to avoid the clichés of traditional sculpture. He was drawn to the impossible marriage of granite, glass and metal. Because no equipment existed to manipulate these clashing materials in the way he envisioned, Bill had to “invent” his own machinery.

He jokingly calls himself a “masochist” for choosing the most difficult, unyielding and heavy materials on Earth as his primary medium.

The results of this “masochism” are nothing short of exquisite. Carlson’s work explores the interplay among solidity, transparency, air and light. Whether smaller pieces designed for a wall or a monumental structure requiring a crane to install, his sculptures are striking feats of composition and originality.

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In the series Amoebae, Cells & Starfish, Jaye Alison contemplates the quietly radical idea that all life is composed of the same fundamental material. Across the spectrum of existence—from the microscopic cell to the celestial star—Alison identifies a universal language written in organic curves and light, suggesting a biological echo that connects every living system.

The work is defined by a vibrant, unapologetic palette that emulates the irrepressible urge to move and create. By utilizing colors found in the natural world, including vivid fluorescents, the artist captures the sheer excitement of physical existence. These “dancing forms” serve as a rhythmic celebration of the texture and quiet strangeness of life.

Ultimately, Alison’s practice offers a sanctuary of complete happiness and gratitude. Despite the weight of a turbulent world, these works insist on profound attention to the present moment, inviting the viewer to share in the extraordinary privilege and joy of being alive.